Eric WhedbeeCinematographer · Colorist · Editor

Narrative · Documentary · Commercial — Southern California & Worldwide

Images that move before they explain.

Direction & Cinematography Color Grading Editorial

Selected work

Index 01 — 06
01

Adventures with Clementine — Narrative Short

Writer · Director · DP · Edit — 2026
02

Barbiere — Microdocumentary, Milan

Director · DP · Edit · Color — 2022
03

In Piscina — Poolside, Sicily

DP · Edit · Color
04

Love at the End of the Line — Narrative Short

Director · DP · Edit · Color — 2024
05

Pat Morris — Documentary Portrait

DP · Edit · Color — 2023
06

Dusty Does Cars — Documentary Series, Mojave Road

DP · Edit · Color — 2019

University of Redlands

Client Case Study — 2019 to Present

Six years as the university's filmmaker of record. Much of the institution's film library — brand films, documentary, and social campaigns — was photographed, cut, and graded by one set of hands. A study in range and endurance inside a single client.

Brand & Campus

07

Fall in Love with Redlands — Brand Film

Director · DP · Edit · Color
08

Somewhere in Southern California — Brand Film

Director · DP · Edit · Color
09

Living on Campus — Campus Life

DP · Edit · Color
10

School of Performing Arts — Brand Film

Director · DP · Edit · Color

Documentary

11

Into the Woods — Short Documentary

DP · Edit · Color
12

At the Center of GIS — Microdocumentary

DP · Edit · Color
13

Student Profile — Documentary Portrait

DP · Edit · Color — 2020
14

Convocation — Event Film

DP · Edit · Color — 2021

Social fast, irreverent, built for the feed

15

Become a Bulldog… Forever — Halloween, after Kubrick

Director · DP · Edit · Color
16

Professors React — Wuthering Heights Trailer

Director · Edit

The craft

Services
I.

Direction & Cinematography

Narrative, documentary, and commercial photography built on composition first — the frame as argument, light as point of view.

4K / Super 8 / Hybrid
II.

Color

Grading as a standalone service. A colorist's eye trained by years of finishing my own photography — available for your footage, your story, your finish.

Remote or supervised sessions
III.

Editorial

Cutting for rhythm and feeling over coverage. From thirty-second social pieces to long-form documentary, increasingly as edit-and-color alone.

Offline through finish

About

Eric Whedbee

The image should be felt before it is understood.

I came to the camera through film studies — through the conviction that an image works on you before you can say why. Fifteen-plus years later, that conviction is still the method: every frame, every cut, every grade is in service of what the viewer feels in the first half-second.

The sensibility runs from classical composure to the grain and flash of contemporary music film — and the synthesis is the point: rigorously made, deeply felt, never inert.

The work spans narrative shorts, documentary, commercial and institutional film — including six years building the University of Redlands' film library — alongside a wedding studio, Affect Visual, which takes a small number of commissions each year, at home and abroad.

I take on select freelance projects in direction, color, and editorial — and I'm open to a full-time seat with a studio or brand whose values match the work. If that's you, say hello.

Marrying somewhere beautiful?

Affect Visual is the wedding studio — a small number of commissions each year, at home and abroad, on digital cinema and Super 8.

Visit Affect Visual

Start a conversation

Contact

For commissions, color and editorial work, collaborations, or full-time conversations — write directly or use the form.

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